I was just curious to know if anyone relates to my issue with long posts. I don't read them. If I try, it's physically painful. But I know I'm capable of it, if for some reason I were highly motivated. I've probably read less than ten long posts since I've been here. It's even worse if the post isn't split up into paragraphs. Here's some random information I copied and pasted to show you how long a post has to be, at a minimum, to be considered too long to read, including what I've typed, i.e. this whole post.
"As the existentialist motto goes, “man is condemned to be free.” Here, freedom is not just independence in the sense of independence from, but in the sense of being able to decide who and what one should be. For the existentialists, the human being is “more” than what it is: not only does the human being know that it is but, on the basis of this fundamental knowledge, this being can choose how it will “use” its own being, and thus how it will relate to the world. “Existence” is thus closely related to freedom in the sense of an active engagement in the world. This metaphysical theory regarding human freedom leads into a distinct approach to ontology, i.e., the study of the different ways of being. This ontological aspect of existentialism ties it to aesthetic considerations.
Existentialist thinkers believe that, under certain conditions, freedom grants the human being the capacity of revealing essential features of the world and of the beings in it. Since artistic practice is one of the prime examples of free human activity, it is therefore also one of the privileged modes of revealing what the world is about. However, since most of the existentialists followed Nietzsche in the conviction that “God is dead,” art’s power of revelation is to a large extent devoted to expressing the absurdity of the human condition. For the existentialists, the world is no longer hospitable to our human desire for meaning and order."
"As the existentialist motto goes, “man is condemned to be free.” Here, freedom is not just independence in the sense of independence from, but in the sense of being able to decide who and what one should be. For the existentialists, the human being is “more” than what it is: not only does the human being know that it is but, on the basis of this fundamental knowledge, this being can choose how it will “use” its own being, and thus how it will relate to the world. “Existence” is thus closely related to freedom in the sense of an active engagement in the world. This metaphysical theory regarding human freedom leads into a distinct approach to ontology, i.e., the study of the different ways of being. This ontological aspect of existentialism ties it to aesthetic considerations.
Existentialist thinkers believe that, under certain conditions, freedom grants the human being the capacity of revealing essential features of the world and of the beings in it. Since artistic practice is one of the prime examples of free human activity, it is therefore also one of the privileged modes of revealing what the world is about. However, since most of the existentialists followed Nietzsche in the conviction that “God is dead,” art’s power of revelation is to a large extent devoted to expressing the absurdity of the human condition. For the existentialists, the world is no longer hospitable to our human desire for meaning and order."