I just thought I would post a couple of reviews here and see what you all have to say about them.
Bleach Season One – The Substitute (2004-2005)
Grade – 4.5 / 5
Format – English Dubbed
Rating – TV-14
Number of Episodes – 20
Few anime series in the last couple of decades have captured the world’s attention like Tite Kubo’s creation, Bleach, managed to pull off. Given the almost perfectly consistent narrative thrust of the first season, it is easy to see what made this series so popular in its early years. For a series that later became notorious for the large amount of filler episodes, I can assure you that the first season is narratively lean.
Most of the standard shonen anime staples are here. A punky young protagonist with a tragedy in his past (Ichigo), a mysterious young woman who totally reshapes his world (Rukia), the childhood classmate female friend who cooks the most atrocious foods imaginable (Orihime), the rival who later becomes a friend (Uryu), the token weapons that just get more and more powerful as the story progresses, the shouting out of the names of weapons and powers while attacking, and so on. All of this seldom fails to entertain me, so there might be some bias in my opinions here. This series is definitely not going to win any points for originality.
Ichigo is a 15-year-old punk who initially is all talk, but that is nothing new for this genre at all. What is impressive is that most of the characters on his side are instantly likable. As he fights monsters known as Hollows against an ever increasing rising of personal stakes, I found myself getting lost in Kubo’s expanding world. Whether Ichigo is trying to free a young boy’s soul from the tyranny of a serial killer or avenging the death of his mother, things never got dull in this batch of episodes.
As far as the English dialogue track goes, it is a standard Viz studio dub that remains consistently easy on the ears. Nothing really stands out about it, but it gets the job done well enough. The low-budget TV animation quality has its own charms to it. The best thing this first season has going for it is the momentum in its storytelling, and in neverending shonen anime series, that means everything. This is probably one of the best opening seasons to shonen anime that I have come across for that reason alone. It is easily bingeable and rarely ever boring.
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Annihilation (2018)
Grade – 5/5
Length – 116 Minutes
Rating – R
Alex Garland is a filmmaker who has mastered the craft of creating films that are loaded with visual opulence, and Annihilation, his second feature film, is one of the most visually striking films I have ever seen. It is accompanied with an aural soundtrack and some heavy psychological probing of its characters to create a mood piece that works better as a metaphor than it does as a straightforward science fiction movie. Both great beauty and heavy duty nightmare fuel are presented here.
There is a sense of detachment from its primarily female central cast as they engage on what amounts to a suicide mission. There is a shimmering wall that is growing in proximity around a lighthouse, and most of what enters never comes out. The sole exception is a soldier who finds himself in the house he lived with his wife in. His wife, Lena (Natalie Portman), is shortly after picked up and sent to a scientific facility along with her very physically ill husband. Shortly after that, she commits to joining a team of scientists to figure out what is inside the shimmering wall in order to try to save her husband’s life. At least, that is her surface explanation for joining the expedition.
This is a beautifully produced exploration of self loathing and hopelessness, and the whole film makes a lot more sense on a psychological level than it does on a logical one. It is no small detail that every woman on this expedition has trauma in their past in one form or another. It also is no small detail that Lena’s husband had his own reasons for engaging in a previous expedition into the shimmer, and was the first person to come out of it despite being in a physically ill form. The more that is revealed, the more all of this makes sense as a narrative metaphor for the character’s internal struggles.
The performances are all believably tense, but Garland is more interested in observing the characters from the outside than making the audience really feel their pain. In this case, that is not necessarily make for a bad cinematic decision. Annihilation is equally fascinating and unsettling. In my experience, it was much better the second time around than it was upon my initial viewing. Watch it once for the tense mood and the rich cinematography, then watch it a second time for the deeper meanings behind the narrative.