List parts from books you've liked.
The ending of the J.G. Ballard short story The Garden of Time:
?Tonight we?ll pick the flowers together, my dear,? he said to her evenly. ?One for each of us.?
He peered only briefly over the wall. They could hear, less than a kilometre away, the great dull roar of the ragged
army, the ring of iron and lash, pressing on towards the house.
Quickly, Axel plucked his flower, a bud no bigger than a sapphire. As it flickered softly, the tumult outside
momentarily receded, then began to gather again.
Shutting his ears to the clamour, Axel looked around at the villa, counting the six columns in the portico, then
gazed out across the lawn at the silver disc of the lake, its bowl reflecting the last evening light, and at the shadows
moving between the tall trees, lengthening across the crisp turf. He lingered over the bridge where he and his wife had
stood arm in arm for so many summers ?
?Axel!?
The tumult outside roared into the air; a thousand voices bellowed only twenty or thirty metres away. A stone
flew over the wall and landed among the time flowers, snapping several of the brittle stems. The Countess ran towards
him as a further barrage rattled along the wall. Then a heavy tile whirled through the air over their heads and crashed
into one of the conservatory windows.
?Axel!? He put his arms around her, straightening his silk cravat when her shoulder brushed it between his lapels.
?Quickly, my dear, the last flower!? He led her down the steps and through the garden. Taking the stem between
her jewelled fingers, she snapped it cleanly, then cradled it within her palms.
For a moment the tumult lessened slightly and Axel collected himself. In the vivid light sparkling from the flower he
saw his wife?s white, frightened eyes. ?Hold it as long as you can, my dear, until the last grain dies.?
Together they stood on the terrace, the Countess clasping the brilliant dying jewel, the air closing in upon them as
the voices outside mounted again. The mob was battering at the heavy iron gates, and the whole villa shook with the
massive impact.
While the final glimmer of light sped away, the Countess raised her palms to the air, as if releasing an invisible bird,
then in a final access of courage put her hands in her husband?s, her smile as radiant as the vanished flower.
?Oh, Axel!? she cried.
Like a sword, the darkness swooped down across them.
Heaving and swearing, the outer edge of the mob reached the knee-high remains of the wall enclosing the ruined
estate, hauled their carts over it and along the dry ruts of what had once been an ornate drive. The ruin, formerly a
spacious villa, barely interrupted the ceaseless tide of humanity. The lake was empty, fallen trees rotting at its bottom,
an old bridge rusting into it. Weeds flourished among the long grass in the lawn, over-running the ornamental
pathways and carved stone screens.
Much of the terrace had crumbled, and the main section of the mob cut straight across the lawn, by-passing the
gutted villa, but one or two of the more curious climbed up and searched among the shell. The doors had rotted from
their hinges and the floors had fallen through. In the music room an ancient harpsichord had been chopped into
firewood, but a few keys still lay among the dust. All the books had been toppled from the shelves in the library, the
canvases had been slashed, and gilt frames littered the floor.
As the main body of the mob reached the house, it began to cross the wall at all points along its length. Jostled
together, the people stumbled into the dry lake, swarmed over the terrace and pressed through the house towards the
open doors on the north side.
One area alone withstood the endless wave. Just below the terrace, between the wrecked balcony and the wall was
a dense, two-metre high growth of heavy thorn bushes. The barbed foliage formed an impenetrable mass, and the
people passing stepped around it carefully, noticing the belladonna entwined among the branches. Most of them were
too busy finding their footing among the upturned flagstones to look up into the centre of the thorn-bushes, where
two stone statues stood side by side, gazing out over the grounds from their protected vantage point. The larger of
the figures was the effigy of a bearded man in a high-collared jacket, a cane under one arm. Beside him was a woman in
an elaborate full-skirted dress, her slim serene face unmarked by the wind and rain. In her left hand she lightly clasped
a single rose, the delicately formed petals so thin as to be almost transparent.
As the sun died away behind the house a single ray of light glanced through a shattered cornice and struck the
rose, reflected off the whorl of petals on to the statues, lighting up the grey stone so that for a fleeting moment it was
indistinguishable from the long-vanished flesh of the statues? originals.
The ending of the J.G. Ballard short story The Garden of Time:
?Tonight we?ll pick the flowers together, my dear,? he said to her evenly. ?One for each of us.?
He peered only briefly over the wall. They could hear, less than a kilometre away, the great dull roar of the ragged
army, the ring of iron and lash, pressing on towards the house.
Quickly, Axel plucked his flower, a bud no bigger than a sapphire. As it flickered softly, the tumult outside
momentarily receded, then began to gather again.
Shutting his ears to the clamour, Axel looked around at the villa, counting the six columns in the portico, then
gazed out across the lawn at the silver disc of the lake, its bowl reflecting the last evening light, and at the shadows
moving between the tall trees, lengthening across the crisp turf. He lingered over the bridge where he and his wife had
stood arm in arm for so many summers ?
?Axel!?
The tumult outside roared into the air; a thousand voices bellowed only twenty or thirty metres away. A stone
flew over the wall and landed among the time flowers, snapping several of the brittle stems. The Countess ran towards
him as a further barrage rattled along the wall. Then a heavy tile whirled through the air over their heads and crashed
into one of the conservatory windows.
?Axel!? He put his arms around her, straightening his silk cravat when her shoulder brushed it between his lapels.
?Quickly, my dear, the last flower!? He led her down the steps and through the garden. Taking the stem between
her jewelled fingers, she snapped it cleanly, then cradled it within her palms.
For a moment the tumult lessened slightly and Axel collected himself. In the vivid light sparkling from the flower he
saw his wife?s white, frightened eyes. ?Hold it as long as you can, my dear, until the last grain dies.?
Together they stood on the terrace, the Countess clasping the brilliant dying jewel, the air closing in upon them as
the voices outside mounted again. The mob was battering at the heavy iron gates, and the whole villa shook with the
massive impact.
While the final glimmer of light sped away, the Countess raised her palms to the air, as if releasing an invisible bird,
then in a final access of courage put her hands in her husband?s, her smile as radiant as the vanished flower.
?Oh, Axel!? she cried.
Like a sword, the darkness swooped down across them.
Heaving and swearing, the outer edge of the mob reached the knee-high remains of the wall enclosing the ruined
estate, hauled their carts over it and along the dry ruts of what had once been an ornate drive. The ruin, formerly a
spacious villa, barely interrupted the ceaseless tide of humanity. The lake was empty, fallen trees rotting at its bottom,
an old bridge rusting into it. Weeds flourished among the long grass in the lawn, over-running the ornamental
pathways and carved stone screens.
Much of the terrace had crumbled, and the main section of the mob cut straight across the lawn, by-passing the
gutted villa, but one or two of the more curious climbed up and searched among the shell. The doors had rotted from
their hinges and the floors had fallen through. In the music room an ancient harpsichord had been chopped into
firewood, but a few keys still lay among the dust. All the books had been toppled from the shelves in the library, the
canvases had been slashed, and gilt frames littered the floor.
As the main body of the mob reached the house, it began to cross the wall at all points along its length. Jostled
together, the people stumbled into the dry lake, swarmed over the terrace and pressed through the house towards the
open doors on the north side.
One area alone withstood the endless wave. Just below the terrace, between the wrecked balcony and the wall was
a dense, two-metre high growth of heavy thorn bushes. The barbed foliage formed an impenetrable mass, and the
people passing stepped around it carefully, noticing the belladonna entwined among the branches. Most of them were
too busy finding their footing among the upturned flagstones to look up into the centre of the thorn-bushes, where
two stone statues stood side by side, gazing out over the grounds from their protected vantage point. The larger of
the figures was the effigy of a bearded man in a high-collared jacket, a cane under one arm. Beside him was a woman in
an elaborate full-skirted dress, her slim serene face unmarked by the wind and rain. In her left hand she lightly clasped
a single rose, the delicately formed petals so thin as to be almost transparent.
As the sun died away behind the house a single ray of light glanced through a shattered cornice and struck the
rose, reflected off the whorl of petals on to the statues, lighting up the grey stone so that for a fleeting moment it was
indistinguishable from the long-vanished flesh of the statues? originals.