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Photos of faces showing emotions...

MacLoughlan

Well-Known Member
I was diagnosed late (48), after falling into something of a hole (flat broke, out of work, no prospects etc). One of my key problems is that I am very limited in reading emotional states and in recognizably signalling my own with the effect that I can categorically state with absolute honestly that I have never got through a job interview &c.

One side of this is that I don't signal the "you really shouldn't say any more" and not doing so has had me hear some very disturbing stories that would really rather not have heard, sometimes from strangers. That might sound interesting and exciting, but you haven't of the goings on that I've heard.

After the encounter with for example business people, I can usually analyze what each person is actually about and often make more shrew judgements than colleagues (when I had colleagues), so my judgement of character or more accurately of what motivates individuals is not so bad, but I can't do it at meetings, sales pitches or interviews and really flounder, that is, I am absolutely lost in the face to face situations.

To try to address these problems, I've enrolled in a screen acting class, and the experience really shows how blind I am to social cues and emotion expression - it really is amazing. Now, many years ago I attended a course in spoken English and public speaking given by a really superb voice coach and as a result I don't have the same problems with voice - so for example, you can lie to me face to face but you will never get away with it on the phone. I want to try to learn how to read and signal facial and micro facial expressions, to achieve an "in the moment" competency equivalent to what I have achieved in voice.

To this end, I think (but might be wrong) that working through thousands of facial photographs with the emotional expressions stated and described would help me a great deal: what I think is that if I work a large enough pile, I will train myself to habitually look for cues and so start a virtual cycle of learning by observation, experience and practice and intentional imitation, and so improve my comprehension of these cues etc.

[by the way, when you hear voice that you don't understand, intentionally imitating what you've heard - which means manipulating the machinery of voice production to get the same inflections etc - not only helps you hear what you've heard, it seems to at least partially induce the emotional state that gave rise to the voice you've heard, even more so if you mimic the body movements and postures. I've found this observation really useful over the years - all those years I didn't know I was an aspie]

So my question is: can anyone point me to a (very large) collection of photographs of people in various emotional states that have those emotional states clearly stated and described?

It is possible this is a dumb strategy; if it is, my nose will not be out of joint if you propose a better one!

Thanks for you help!
 
Worked for me. I'm an artist, so I've spent several years staring at faces and I have almost no trouble with reading people. In fact, here is one of my favorite art resources: http://majnouna.com/creation/emotut.jpg

The eyebrows and corners of the mouth are your main indicators. Eyelids and flushed capillaries are great for supporting statements. Some people are also able to take note of flared nostrils for signs of anger, frustration, and other strong emotions, but I get too sidetracked by imagining their nostrils are big from excessive picking. I ignore the nostrils.
 
If you ever do figure out how to signal that, come back and teach the rest of us!

Actually, people don't really talk to me in the first place.


When I was young, I forced myself to make conversation, and if I didn't my (4) brothers would give me a really hard time, and it becomes a habit. Now virtually everything I say is pre-rehearsed. Dale Carnegie's book (How to Win Fiends and Influence People)is very useful as is getting a good handle on good manners. But trying to talk to people has always been way outside my comfort zone since I was a kid, and is to this day, but I have my tricks. For example, I'm doing a little movie extra work and have big misgivings about all that: I get over it by saying to myself on the way out the door "I'm Kramer". This might be a silly strategy but it make me feel better interacting with other extras and crew, and so I can do it, otherwise I couldn't.
 
Gold! .......? Maybe:

I might have found something really useful to this end - there's an acting coach that teaches "the language of the face" for actors trying, I suppose, to make the transition from stage acting to screen acting:

The coach 's name is John Sudol and you'll find him on youtube. He sells an ebook Acting: Face to Face, and it gives what are for me coherent explanations of emotion and how that is expressed by the face.

I'll be working through this for the next couple of weeks/months, and see if it helps!

BTW: thinking about acting as means of helping myself to overcome these read/signal problems, and based on the screen acting class I'm taking,my observations of my class mates (who are mostly theatrically trained), on Michael Caine's Masterclass in Screen Acting (youtube) and what John Sudol's material, I'm concluding - at least for now - that learning some screen acting is potentially very useful and helpful, but theatrical acting injurious to sorting through these problems.

Screen acting seems to be very close to real life and so useful, while theatrical acting, aimed at expressing emotion to an audience far away, is well. too theatrical to be useful!
 

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