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Everyone has been so generous with their comments I went to the trouble of creating a jpg of my second favourite piece. It is poor quality both in its resolution and lighting, but it was the best I could do with what I have to work with. Even so, it does show much of the detail.
It is a prime example of what I meant when I talked about some of my drawings presenting differently upside down. It has things it it that you will only see by doing so (if you can manage it without too much trouble).
This piece owes a little bit to my fascination with M.C. Escher's drawings, without slavishly trying to emulate his unique talent.
Thank you all for giving me a different outlook on my work. I would not say it is truly spiritual, but rather a fairly accurate roadmap of my headspace at the time of their drawing, which is why each has a uniqueness all its own while sharing similarities.
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I love it! I would enjoy a book filled with stuff like that.
I could stare at this for hours and keep seeing new things.
Everyone has been so generous with their comments I went to the trouble of creating a jpg of my second favourite piece. It is poor quality both in its resolution and lighting, but it was the best I could do with what I have to work with. Even so, it does show much of the detail.
It is a prime example of what I meant when I talked about some of my drawings presenting differently upside down. It has things it it that you will only see by doing so (if you can manage it without too much trouble).
This piece owes a little bit to my fascination with M.C. Escher's drawings, without slavishly trying to emulate his unique talent.
Thank you all for giving me a different outlook on my work. I would not say it is truly spiritual, but rather a fairly accurate roadmap of my headspace at the time of their drawing, which is why each has a uniqueness all its own while sharing similarities.
View attachment 69824
Late to comment, but I think your ink drawings are wonderful
This is my favorite one for the space implications. But the other pieces in this thread that are more about texture and flow are also incredible (I see lots evoking hair and natural growth). All the internal consistency and respect for established pattern really does it for me. Is beyond simple abstract doodling. I wish I could see them in real life. Your ability shines through very clearly even in the pictures but I know what ink is like up close.
Thank you kindly for your comment. That particular piece was in a sketchpad dating from 1981. In reviewing more of that book, I must have been exploring perspective among other 'things', being that I was in my mid-thirties at the time and I had yet to be diagnosed with autism.This is my favorite one for the space implications. But the other pieces in this thread that are more about texture and flow are also incredible (I see lots evoking hair and natural growth). All the internal consistency and respect for established pattern really does it for me. Is beyond simple abstract doodling. I wish I could see them in real life. Your ability shines through very clearly even in the pictures but I know what ink is like up close.
I love your work! They are beautiful! I have tried and tried to draw and i just cant get what's in my head to get to my hand and the paper. I paint because it relaxes me but im not good at that either. I did have several sculptures get shown in museums in high school, I very much like sculpture, the silky feel of the clay I worked in back then, I can still remember it. Could NOT master the wheel but loved to watch my art teacher use it. I had better control with my hands and a lazy suzan she let me use. My art teacher was a godsend and would let me "hide" in her classroom if i needed an escape at school, she was an old beatnick. . . A real one , wow did she have some awesome adventures . I guess she was kind of a role model for me looking back on it. But you have real talent, your works you shared here are really something, heck the first one alone made me think of a fairy dancing in the woods with no one watching her, putting her whole heart into her movements. . Thank you for sharingI have actually started to draw again, or as I like to think of it ‘doodling’, and I thought it might be interesting to document the beginning and end of a doodle. The reason I still think of it as doodling is because each and every drawing is made up of many different doodles tied together by some otherworldly and unconscious guidance that manifests from time to time. Anyway, here is a snap I took at the beginning of something I worked on over many weeks.
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The lighter, more indistinct section is in pencil. I Use pencil to let my mind act without the commitment that ink requires, thus freeing me to be more creative. Some ideas can remain, others morph over time. The final result is the culmination of days of thinking and rethinking, turning the artboard every which way. This creates something that I can look at after the fact and see something new in it. While this is presented in the view in which it started, there is no correct up or down. I have been looking at it quite a bit of late with the short edge down and you can guess which short edge if you wish, they both have something different to offer. Anyway, here is what the above finally became.
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It is a pity that a photograph of a black and white drawing loses something. It lessens the impact. While every line is correctly presented, the even weighting that is forced upon it tends to make some of the subtler aspects of the drawing less affecting.
Nothing else to be said about it. I hope those who view this find something to attract your eye and spark your imagination.
*clicking on a thumbnail will show you the larger picture*