It sounds like you're just processing through it. It might help to write about it in a journal where you can explore your thoughts about the 'why' and 'what do you hope to achieve" in greater detail. Some further thoughts, aimed at avoiding being repetitious of the good advice above:
What if you got to know them better? Are any of them in a Bible Study group you could join? Does anyone play in a band out of church? Maybe you could stop by during a weeknight and just jam with them as friends. It could cure the loneliness without putting you at risk of being mis-judged.
Yeah.
In my brief experience with it, the consequences have been very negative, complete with empathetically stated denial about it and a refusal by the other person to talk about it any further.
Just from my own experience, I'd be very careful about who I told and why.
You are not going to like this, but you should stick around for coffee hour. Find one person who you might like to get to know better and talk to just that person. Even if you only stick around for 15 minutes at first. After a couple of weeks, add a second person and add another 15 minutes. You might ask, what do you talk about? Easy. You don't talk about yourself; you go in with a script of friendly questions and let the other person do all the talking. Anticipate that they'll just be interested in common, public knowledge things about you, like how long you've been playing, what got you interested in music, and where you think you might to go with it in the future. So having a few pat answers pre-prepared as talking points can help you get through the 'small talk'.
BTW, no one on the outside knows what masking is. Besides, so many people are dealing with their own issues--problems at work or at home, or their own existential drama--that that doesn't really make for a good conversational starting point. It makes them too aware of their own problems. BUT, finding a topic that you both share a lot of common ground over makes for an excellent ice-breaker in making a new friend.
I get that. I offered to sing a song to a friend, to see if they had heard it before, but with the talking going on around me and feeling vulnerable for even stepping into the limelight, I froze and they decided to move on without whatever I might have contributed.
Yup, journal it. It might help.
Yep; processing it has been a struggle. I've been keeping journals for over a decade, but I agree with you that it would be better for me to jot down the
why of everything. But it's different because in my journals because I only have
my perspective but here I get the perspective of everyone else.
Those are good suggestions. Joining a Bible-study would be tricky, as I don't really believe in religion. But as far as other musicians---I'm already involved in their choir as an accompanist, and the season will be beginning soon.
I agree that who I'd tell is definitely an important aspect. There are a couple individuals who I trust, but how deep that trust and knowledge goes is only so far. I'm not really buddy-buddy with anyone, but I think it's
because I feel so alien already due to my autism.
I agree that I should stick around for coffee-hour--the deterrent is that by that time, I'm completely out of energy and my level of socialbility is at a low. Well, generally. There are times where I can talk with one or two people on more than a small-talk level, but not for long. Yet some of these conversations have already happened with a few people, and the scriptedness is something I'd become used to.
Usually what I do is scope out the room, and read it, and determine 1) if there are folks who I might like to talk to and 2) how much energy I have left to even have a simple greeting or two. Generally if I get the feel that both of those things aren't a possibility, it's exit stage left for me.
Very very true, and I often forget that others don't know what masking is. But couldn't 'masking' also be folks pretending their life is fine when they're in turmoil or struggling with something?
Yep, i feel very vulnerable too at some points during my work. It's really scary to flounder and say "All right brain, why do we have no idea what we're doing? We're a musician so why can't you let me just
play correctly?"
Thank you very much for your insight