Let's have more infodumping about special interests.
@autism-and-autotune I figure maybe you would find this interesting...one's a curiosity, two is a coincidence, three is a Collection.
My favorite musical instrument? Organs! They are delightfully mechanical, play music for all occasions (sacred, profane, burlesque, or indifferent), and have showed up in all forms from the
sheng of the Chinese to the
hydraulis of the Ancient Greeks to the harmonica of today.
My favorite type of organ, though, is the pump organ. Let's face it, pump organs are weird. They have a reputation for sounding goshawful--they usually end up in the landfill when they are found today, as they aren't often collected. They were played in everywhere from saloons and brothels in 1880s Montana, to battlefields, to convent chapels accompanying Ursuline nuns at the morning Mass. You know how quartz watches democratized accurate timekeeping? The pump organ did that--and every culture that adopted them, developed their own take on how the ideal organ should work.
https://en.wikipedia.org/wiki/Pump_organ
A very interesting happening at the thrift-store--I was in the middle of patching up my poor old Toyota Corolla again, so I went to the thrift store in town and look what was waiting in the back: a very special little pump organ, and one I recognized as something a local dealer had been trying to sell in his antique shop last year for $250. I guess he got tired of dusting it, or realized they do not sell well. People do not like pump organs very much.
I knew it was an earlier instrument by its incredibly plain walnut box and the crude stenciling for the maker's name. It was a funny name, too, an "S.D. & H.W. Smith's Conservatory Organ" from Boston. I know a Smith-American, but this was the company's early name from when they opened up shop in 1852. The name, "conservatory organ," refers to a conservatory of music--these were played by students looking for a good reliable practice keyboard. This would have been a terrific luxury at the time--a competently built little organ, light enough to be moved by one man, and fairly ruggedly constructed.
See, once upon a time organists had to practice at home upon a spinet or a harpsichord, during the 1700s, as even full-size pipe organs were almost impossible to really practice on without paying a chap called the "calcant," whose job it was to work a large bellows. There are still ancient organs with a stop knob reading
Bellows Signal which was meant to ring a small bell and tell the calcant to get a bit more air-pressure coming. I've "borrowed" other peoples' harpsichord before and it was nothing like playing an organ at all.
So I looked it up and found by the serial number that:
--it was correctly a very old example of a Smith organ.This has 2 ranks by the sound of things but I haven't disassembled to check. Build date was 1858.
--the
Tremolo stop activates a beater tremulant, instead of the far more common "
Vox Humana" on later parlor organs, which is a rotary fan operating off reservoir vacuum. The beater adds a ton of vibrato and I am not sure what you're actually supposed to do with it
--these were more popular than pianos in their day, as they were lighter, less expensive, held their tuning for longer in heat and humidity, and could be transported by wagon or by packhorse when a piano couldn't. Also, you can build a folding organ--but not a folding pianoforte. It also helped that they are quite straightforward to play if you can read sheet-music, which was a more common skill in the 19th century.
I saw it was priced at $125 which is way high, so I began to haggle with the shopkeeper a few days after discovering the organ. Ended up knocking it down to $80 which was quite generous of me as it was worth perhaps twenty bucks on a good day.
https://www.reedsoc.org/index.php/rosdb/vieworgan?ID=9646
How strange is that? It was registered in 2004 with the Reed Organ Society, taking registration number 3206. This was something that was actually
supposed to have been in preservation, but since it got out of its owner's possesion, and into an antique shop, and from there got dumped on the sidewalk in front of the thrift store where it was continuing to remain unsold and likely would have ended as landfill or been bought for breaking up--that was a rather close shave, especially when we are talking about trying to preserve an increasingly rare artifact.
Ordinarily I would not have bought it but as this was an extremely early instrument, already something registered as preserved, but in danger of being lost or destroyed soon, this helped.
Much like the full-size pipe organs that music students would have been training to use when this was new, you have "foundation stops" on this instrument--bass ranks shown here; you have to pull out the Principal on this end, and the Dulciana at the other, for it to play. On my later 1892-production organ, the diapason is 8' and so is the other--principal is named the "Melodia," after the earliest reed organs known as melodeons.