Audio production is not something I have any experience with but I found a guide for choosing which Linux to use for audiophiles.
Best Linux Distro for Audiophile: Top Choices
Some people don't like hearing this but tough luck, Mint isn't in it, nor are any of the other sub branches of the mainstream distros. Ubuntu, Fedora or Arch. And Arch is only for people that like compiling almost everything from scratch themselves.
I'm going to unintentionally open up a can of serious nerdery here, but contrary to popular belief, most musicians are actually not audiophiles or audio enthusiasts in the slightest, even though it seems like they almost
should be. That's not to say that they don't enjoy their music, but their listening experience is usually just a pair of studio monitors (the
flattest and seemingly
dullest thing you could imagine) in order to analyze mixes, which usually doesn't cost them much of anything extra.
Getting music production setups up and running on Linux has become a strange sort of joke among the audio production community, because
in theory everything should totally work, but in practice, we're all hanging by a thread on Windows as it is all the time, usually one second away from a devastatingly irrecoverable crash. Actually, it's kind of a wonder how some complex songs even get made -- but with the intricate detail needed to get even basic drivers up and running, the whole 'linux audio production' thing usually falls apart with just a few wine / ybridged plugins (which are almost always needed at some stage, unfortunately).
Or, god forbid a developer doesn't use a lot of automation and nobody beta tested it either (oddly, more common than you'd think), so when you go to actually automate a filter cutoff or volume fade, you just get 'obscure' crashes because unfortunately, a lot of people don't know what they're doing and it's hard for humans to juggle multiple things so passionately -- without a large corporate dev team (unfortunately), things just never work the way musicians are expecting.
With that said, this article might challenge me to actually try to get my livecoding setup running on Linux, which would be an
extremely minimal ordeal in the audio production world, but would feel like moving mountains